Lala Lala, Elton Aura

Fri. Apr 29, 2022 at 8:00pm EDT
19 and Over
150 days away
Price: 18.00 CAD $
19 and Over
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Event Stats
150 days away
Price: 18.00 CAD $
19 and Over
Event Description
Lala Lala, Elton Aura

“I want total freedom, total possibility, total acceptance. I want to fall in love with the rock.

"That’s how Lillie West describes the theme of “DIVER,” the song she calls the thesis of Lala Lala’s third record, I Want The Door To Open. The rock in question is a reference to Sisyphus, the mythical figure doomed by the gods to forever push a boulder up from the depths of hell. To West, it is the perfect metaphor for “the labor of living, of figuring out who you are, what’s wrong with you, what’s right with you,” she says. “I think it’s easy to feel like we keep making the same mistakes over and over again, that we never learn, that we’re Sisyphus; but time is actually a spiral that we move up. The key is falling in love with the labor of walking up the mountain.”

Coming off of 2018’s acclaimed The Lamb, an introspective indie rock album recorded live with a three-piece band, West knew she was ready to make something sonically bigger and thematically more outward-looking than anything she’d done before; a record that would be less a straightforward documentation of her own personal struggles and more likea poem or a puzzle box, with sonic and lyrical clues that would allow the listener to, as the title says, open the door to the greater meaning of those struggles.

The result is I Want The Door To Open, a bold exploration of persona and presence from an artist questioning how to be herself fully in a world where the self is in constant negotiation. From the moment West declares “I want to look right into the camera” over a cascade of dreamy vocal loops on opening track “Lava,” I Want The Door To Open distinguishes itself from anything she’s done before in scope and intensity. The ultra-magnified iteration of Lala Lala is fully encapsulated in the monumental “DIVER.” Inspired by a character from a Jennifer Egan novel, it’s a pop song of Kate Bush-esque proportions replete with layered synths and booming, wide open drumming contributed by fellow Chicago musician Nnamdi Ogbonnaya, and West pushing her vocals to the ragged edge.

West co-produced I Want The Door To Openwith Yoni Wolf of Why? and reached out to various music friends to help her achieve a galactic level of atmospherics that would’ve been impossible on her own. In addition to Ogbonnaya, I Want The Door To Open features contributions from poet Kara Jackson, OHMME, Adam Schatz of Landlady, Sen Morimoto, Christian Lee Hutson, and Kaina Castillo. Former tourmate Ben Gibbard can be heard on the gentle “Plates,” a song about accepting the past regardless of whatever negative feelings accompany those memories; a necessary act for unlocking the door to the present moment West is actively seeking on the record.

Throughout I Want The Door To Open, West is fascinated with the idea of avatars: how we present ourselves to the world versus how other people see us versus who we really are when we’re alone, and how those images can change over time. “How can anyone else know who you are? How can you know who anyone else is when all these different avatars or personalities or performances are happening simultaneously, in different places,” asks West. It’s a question she poses on the cinematic “Color of the Pool,” a song about wanting to embody the characteristics of something pure and uncatchable that features stacks of wigged-out saxophone from Schatz. West revisits the topic on “Photo Photo,” on which OHMME provide a haunting medieval vocal round as West attempts to parse the various aspects of presentation and representation.

“Utopia Planet,” the final track on I Want The Door To Open, features a very special guest: West’s own Grandma Beth, who charmingly relays her thoughts on a painting West made of herself—another avatar of the artist as seen through the eyes of someone who loves her. It is the fitting end to the inner labyrinth that West maps on I Want The Door To Open, a musical quest undertaken with the knowledge that the titular door may never open; but it is through falling in love with the quest itself that one may find the closest thing to total freedom, total possibility, and total acceptance available to us on this plane of existence.

with Elton Aura



IMPORTANT INFORMATION REGARDING PROOF OF VACCINE

The Ontario Government has mandated a Proof of Vaccine policy that takes effect on September 22, 2021. Ontario Government Proof of Vaccine receipt (digital or paper) and corresponding government I.D. will be required to enter and attend an indoor concert/event.

Information below how to access and download your Proof of Vaccine from the Ontario Government.

Once the Proof of Vaccine APP is available (October 22) we will be switching to that system that features a digital QR code.

https://covid19.ontariohealth.ca/

In advance of September 22, all Ontarians can print or download their vaccination receipt from the provincial booking portal. The Ministry is working on additional supports and services to assist Ontario residents who need help obtaining proof of vaccination, including requesting a copy be sent by mail. Those who need support obtaining a copy of their vaccination receipt including those who do not have access to a computer or printer can call the Provincial Vaccine Contact Centre at 1-833-943-3900.

Ontario is developing an enhanced vaccine certificate with a unique QR code to make it safer, more secure and convenient to show that you have been vaccinated, when required to do so. The enhanced vaccine certificate and verification app will be available by October 22, 2021. Ontario’s proof of vaccination guidance will be updated to reflect the new processes.

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General Admission 18.00 CAD $
Venue Details
Map of Venue Location.
The Garrison 1197 Dundas Street West
Toronto, ON M6J 1X3
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