Joan Jonas: Out Takes

Joan Jonas. Still from Out Takes: What the Storm Washed In. 2022/2024. Courtesy of the artist

Joan Jonas: Out Takes

Performance

May 16 and 17, 2024, at 7:00 p.m.; May 19, 2024, at 3:00 p.m.; May 20, 2024, at 7:00 p.m.

MoMA, Floor 4

The Marie-Josée and Henry Kravis Studio

Continuing Joan Jonas’s decades-long exploration of nature, ritual, and techniques of perception, Out Takes (2022/2024) will feature Jonas’s most recent performance, organized in conjunction with the major exhibition Joan Jonas: Good Night Good Morning.

Layering sound, video, and narration, Out Takes began from Jonas’s explorations of unused footage from her archive, exemplifying the artist’s longstanding practice of reworking elements of previous artwork in her subsequent pieces. In this performance, Jonas interacts with videos excerpted from her works In the Trees (2015) and Moving Off the Land II (2019) alongside previously unreleased footage recorded over the past 30 years, including scenes of forests, coastlines, and appearances by Jonas’s dogs Zina and Ozu. Other prominent features of the work include sequences of the artist’s friends and neighbors, as well as the lush natural surroundings of Cape Breton, Nova Scotia, Jonas’s longtime summer home.

This performance of Out Takes will incorporate new material developed exclusively for its presentation at MoMA. Jonas will be accompanied by performer Lucy Mullican, with live music by composer Ikue Mori.

Organized by Ana Janevski, Curator, with Gee Wesley, Curatorial Assistant, Department of Media and Performance. Produced by Kate Scherer, Senior Manager and Producer, with Kayva Yang, Assistant Performance Coordinator, Performance and Live Programs.

The exhibition is made possible by Hyundai Card. 

Leadership support is provided by the Lonti Ebers Endowment for Performance, the Wallis Annenberg Director’s Fund for Innovation in Contemporary Art, the Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions, and the Julie A. Zoppo Fund for the Exhibition of Women Artists. 

Major funding is provided by The Contemporary Arts Council of The Museum of Modern Art. 

Additional support is provided by the Leontine S. and Cornell G. Ebers Endowment Fund. 

Leadership funding for the publication is provided by the Perry and Nancy Lee Bass Publication Endowment Fund.

Major support for the Joan Jonas Performance Program, developed in conjunction with the exhibition and part of The Marie-Josée and Henry Kravis Studio, is provided by  the Sarah Arison Endowment Fund for Performance and by the Wallis Annenberg Director's Fund for Innovation in Contemporary Art.